11 Comments

sign me up for a copy of ‘Three Wickets Up’ when it's out

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Ha. I'll keep you posted...

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I’d like to see your version of a cover for that book.

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Maybe if I get a spare moment, but I think I've set myself up for failure!

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Certainly not Owen. In the pencil and paper we trust.

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Ah, it’s lovely to be with J L Carr again. A good cover pulls me in, but what sells a book to me is the font and its size. For my home printed short story booklets I use 13 point American Typewriter and New Courier semi-bold for headings and drop caps. For reading I love Caslon. It is great to see the process and rejections when it comes to covers. How I would love to see this when it comes to text, from the writer’s first efforts to the published text. Another great post.🐰

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Thank you!

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Thanks for mentioning Robbie Porter, very interesting and inspiring to see his work (and what could have been). Surprised of how finished the discarded versions look!

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No problem! Fascinating, isn't it?

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Very interesting. Although currently even a physical object such as a book we usually choose it through a screen and buy it in an online store, in my experience as a reader and as a designer of book covers, I greatly appreciate the quality of paper, the texture, weight and also the feel of the cover (there are beautiful books with only typographic cover designs). If it also has a suggestive and attractive image, that edition intrigues me.

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need to get more acquainted with current sales but physical books seem to be strong recently

plus look at music -- vinyl an island of hope

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